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'10 Authors Insider Tips
Cooking Up A Storey by Donna George Storey Have More Good Sex I Can Do Better ... Trying to Get the Feeling Plotting and Planning Character Profiles Discovery Draft Be Bad to Be Good E-Book Revolution Naked for Halloween Sex With Pilgrims FictionCraft by Louisa Burton The Music of Words The Balancing Act Your Fictional World Backstory & Foreshadowing The Fine Art of Submission by Shanna Germain Nailing the Query Letter Banish the Boring Bio Becoming a Market Master Become a Market Master, 2 Backstory & Foreshadowing Enticing An Editor, Part 1 Enticing An Editor, Part 2 Contracts, Money & More Serious about Smut by Vincent Diamond No More Horsing Around Short Stuff Selling Short Stories Editors' Pet Peeves Settings: Beyond Time & Place Beating Up Your Scenes Selling Your Books in Person Staying in the Saddle The Write Stuff by Ashley Lister Broken Rainbows Talk the Talk Equations 10 Commandments for Writing Plotting to Avoid Cover Story Rewriting '10 Smutters Lounge Ashley Lister Submits by Ashley Lister St Valentine's Day Renaming Body Parts Sex, Cigarettes & Erotic Fiction Between the Lines with Ashley Lister C. Sanchez-Garcia Emerald Kathleen Bradean Lucy Felthouse Neve Black PS Haven Tracey Shellito Tresart L. Sioux Cracking Foxy with Robert Buckley Plenty of Miles Left Don't Worry, Be Happy Fly the Unfriendly Skies Coffee Time Castrated Words Virtual vs. Actual Romance Bait The View from Gallows Hill Get All Worked Up with J.T. Benjamin The Fashion Industry The Same Old Same Old Writing Porn About the Closet ... About Spirituality Making Sense of Religion Worked Up About Monogamy What's Next All Worked Up About Nature Still All Worked Up... Sex Is All Metaphors by Jean Roberta Holiday Ghosts Love and Romance An "Interracial" Epic Trying to Make It Go Away Sexual Etiquette Sex and Children People Against Bad Things Virtual Acceptance His Cold Eyes, His Granite Jaw A Flash of Northern Light |
The Fine Art of Submission How to Properly & Professionally Prepare,
First things first: An editor is not your enemy. Nor is she your friend. Over time, she may become either or both of these things, it's true, but first and foremost, your editor is a potential current customer. And while the customer is not always right, they are always deserving of your respect, your consideration and your best. Nice sentiment, but what does that actually mean out in the real world? Let's do a series of roleplays and I'll show you. The roleplays are called: Adept Acceptance, Responsible Rejection and Careful Question. They're not as sexy as Naughty Nurse, natch, but they're incredibly important in creating a pleasurable, successful erotic writing career. ADEPT ACCEPTANCE [In which your editor is dressed in her Yah You outfit, which mostly consists of a big grin, two thumbs up, and a very tiny amount of money or prestige wadded up in her fist.] Your Editor: Thank you so much for your submission to The Book You Really Really Want To Get Published In. We'd like to use it if it's still available, although I have some editing suggestions and changes I'd love to propose. Please let me know at your earliest convenience if you'd be willing. You, Inappropriate Responses Numbers 1-4: 1. Don't respond at all, or respond slowly. Why, oh why, would anyone ever do such a thing, you ask? Because you're nervous or excited, because you don't check your email more than once a week, because you went on vacation and didn't leave an automatic "I'm away until xx" response, because you didn't read it carefully and didn't realize she wanted you to write back. 2. Respond by squeeing on the page in excitement. OMG, I CAN'T BELIEVE UR GOING TO TAKE MY STORY!!!!!!!! I've been waiting so long for someone to say yes, and I told me husband and he of course asked if i was getting paid but I told him it didn't because i was so excited and thank you thank you thank you for saying yes! No. No. And No again. It's okay to be both grateful and excited, but not to grovel. And certainly not to misspell or IM-speak in your excitement. 3. Respond with an oh-shit moment. These most-often occur when you don't have good records (see my last column) and you forgot that your piece has already been accepted elsewhere. 4. Respond with a perfect-story moment. These usually sound something like: Thank you for accepting my story, but I can't allow you to do any edits. It is perfect as it is, and therefore if you won't publish it like that, I'll have to withdraw it. You, Appropriate Response Number 1: Dear [editor's name], Thanks so much for accepting my story, [story name] for your anthology, [book's name.]. The story is still available, and I can't tell you how delighted I am that you want to include it in the collection! I understand that the piece could use some editing -- I look forward to seeing your suggestions, and to working with you to improve the story. Thank you again. ROLEPLAY GOAL ACHIEVED: A timely response, a little gushing, a little gratefulness, a lot of professionalism and a willingness to work with the editor to improve the story. An editor can't ask for much more than that. Note that you're not accepting her actual edits here — you wouldn't want to do that without seeing them. You're just accepting her desire to make some changes to your story. You can worry about the nitty-gritty once you get to that point. RESPONSIBLE REJECTION [In which your editor is dressed in her Fuck, I Hate Writing Rejections outfit, which mostly consists of a big frowny face, a huge cup of coffee for comfort and a soft voice.] Your Editor: Thank you so much for your submission to The Book You Really Really Want To Get Published In. We received far more stories than we could use and had to make some difficult choices. I'm afraid we won't be able to use your story. Best of luck with your writing. You, Inappropriate Responses Numbers 1-3 1. Respond by raging on the page in anger. OMG, I CAN'T BELIEVE UR GOING TO REJECT MY STORY!!!!!!!! I've been waiting so long for someone to say yes, and I told me husband that you rejected me and he read my story and said ti was the best that was ever written. Again, just no. Not only are you losing all of your professionalism in the yelling and the spelling, you're also giving yourself a reputation as a spoiled brat and a headache-maker. Editors are busy and overworked: headache-makers are not welcome. Neither are death threats or reverse black ball attempts ("I'm never going to submit to you again!"). 2. Respond with woe. Please don't write your editor and tell them that you're going to kill yourself if you don't get a piece rejected soon. Don't tell her that she is now the reason you're going to quit writing forever and ever. She's already sad as it is — it's hard to reject people. Don't make it worse. 3. Respond with a request for help. These usually sound something like: I'm sorry my story didn't work for you. I've looked and looked and I can't figure out what's wrong with it. Can you please tell me? As an editor, these are the notes that dually break my heart and infuriate me. Yes, I'd love to help you be a better writer. If I had time. If I wasn't trying to make a living as a writer. If you had offered to compensate me for my time and knowledge. You, Appropriate Response Numbers 1 and 2 1. Don't respond at all. Most editors won't notice if you don't send a response to their rejection of your story. Instead, take that time to work on improving your writing, and send them another story. It's okay to mention that they rejected an earlier story, especially if they asked you to try again. 2. Dear [editor's name], Thank you for letting me know about my story, [story name] that I'd submitted for your anthology, [book's name.]. I'm sorry that piece didn't work for the collection, but I appreciate you taking the time to let me know. I look forward to submitting something else to you in the future. Best of luck with the collection. ROLEPLAY GOAL ACHIEVED: Again, professionalism is the key. It's okay to say you're sorry that they didn't take the piece, as long as it's just one part of the whole response. If the editor's busy, she may barely read your letter. On the other hand, if you're both professional and grateful, she may invite you personally to submit again, and then you're opening the door to that 'friend-editor' thing I mentioned earlier. CAREFUL QUESTION This roleplay is just like the others. If you have questions, if you don't understand the guidelines or the edits or the contract, feel free to contact your editor and ask. Try to put everything all in the same email so she can answer them all at once, be sure to remain professional and grateful, and when she does respond, don't forget to thank her. Of course, these guidelines aren't just about acceptances, rejections and queries — they go for every correspondence you have in the erotic writing world, whether it's with a copyeditor, another writer or a reader. They'll also come in handy when we look at next month's topic: Negotiating contracts, proofing issues and money matters. Shanna Germain
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Copyright © 1996 and on, Erotica Readers Association, Inc. |
'10 Book Reviews
Anthologies Apocalypse Sex Review by Ashley Lister Bare Souls Review by Ashley Lister Best Women's Erotica 2010 Review by Jean Roberta can’t help the way that i feel Review by Ashley Lister Coming Together...C. Sanchez-Garcia Review by Ashley Lister Coming Together...M Christian Review by Kathleen Bradean Coming Together...Remittance Girl Review by Kathleen Bradean Erotic Brits Review by Lisabet Sarai Fairy Tale Lust Review by Lisabet Sarai Like a God's Kiss Review by Kristina Wright Like a Sacred Desire Review by Lisabet Sarai Like a Veil Review by Lisabet Sarai Making the Hook-Up Review by Ashley Lister Orgasmic Review by Kristina Wright Peep Show Review by Kristina Wright Please, Ma'am Review by Ashley Lister Spark My Moment Review by Ashley Lister Three In One Blow Review by Shanna Germain Unleashed Review by Ashley Lister Erotic Novels Backstage Passes Review by Kathleen Bradean Dommemoir Review by Ashley Lister Fire in the Blood Review by Jean Roberta Freak Parade Review by Jean Roberta I Came Up Stairs Review by Jean Roberta Marianne! A Journey... Review by Lisabet Sarai The Marketplace Review by Lisabet Sarai The Memorial Garden Review by Lisabet Sarai On Demand Review by Ashley Lister Once Bitten Review by Shanna Germain Rock My Socks Off Review by Ashley Lister The Tower and the Tears Review by Lynne Connolly Sensual Romance Coin Operated Review by Lynne Connolly Control Review by Lynne Connolly I Spy a Wicked Sin Review by Harriet Klausner Libertine's Kiss Review by Lynne Connolly The Master & the Muses Review by Lynne Connolly Naked Review by Lynne Connolly Rampant Review by Lynne Connolly Sinful Review by Lynne Connolly Tangled Web (MM Romance) Review by Vincent Diamond Tucker's Sin Review by Lynne Connolly Victor Review by Harriet Klausner Gay Erotica Best Gay Erotica '10 Review by Vincent Diamond Best Gay Romance 2010 Review by Vincent Diamond Biker Boys Review by Jay Lygon Necessary Madness Review by Kathleen Bradean Personal Demons Review by Lisabet Sarai The Royal Treatment Review by Kathleen Bradean Silver Foxes Review by Vincent Diamond Sodomy! Review by Jay Lygon Special Forces Review by Vincent Diamond A Sticky End Review by Jean Roberta Wired Hard 4 Review by Lisabet Sarai Lesbian Erotica Best Lesbian Roamnce 2010 Review by Jean Roberta Fast Girls Review by Ashley Lister Girl Crush Review by Jean Roberta Sometimes She Lets Me Review by Jean Roberta Non-Fiction Best Sex Writing 2010 Review by Ashley Lister A Brief History of Nakedness Review by Rob Hardy Condom Nation Review by Rob Hardy Dictionary of Semenyms Review by Donna G Storey Doctor of Love Review by Rob Hardy Florida’s Purge of Gay & Lesbian... Review by Rob Hardy John Holmes Review by Rob Hardy How Sex Works Review by Rob Hardy The Orgasm Answer Guide Review by Rob Hardy Screening Sex Review by Rob Hardy Sex at Dawn Review by Rob Hardy Whip Smart Review by Rob Hardy |
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